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Study Group 34
Georgianne Giese











 
Steve Estill
Candy Childrey
Phil Coleman
Fes Parker
Christine Pollard
Georgianne Giese
Leif Alveen
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January

'New Orleans Mirrored Escalator'

How I did it -

Original

While in New Orleans, at the Westin Hotel complex, I snapped this shot of the mirrored escalators. I am beneath them, looking up. As a straight photograph, I loved it, but it was a bit "cluttered" for competition and no one would understand what was being photographed, so I decided to turn it into a definite abstract, since it looks so abstract in its straight form!

I didn't have to do much. To create the final image, I used the warp feature of Photoshop (Edit > Transform > Warp). Then I cut out various warped sections and layered them to control and slightly alter their location. Finally, I used Topaz Adjust to bring out color and contrast. Can't remember the exact filter though.

COMMENTS:

Steve Estill

I like what you've done to this. The original was cluttered as you said, and I'd have to say that the final image also has a lot going on, but the abstract shapes make it work really well. Well done.

Candy Childrey

The effect you have created with the triangular pieces is quite creative. Overall, however, this image is too busy for me. The background and triangular pieces seem to all blend together

Phil Coleman

Indeed the original is confusing, the final version less so and it is interesting to inspect.  However, the constant brightness across the image lets my eye wander everywhere.  Perhaps some vignetting of the upper left and upper right might "add" to the composition?

Fes Parker

Sorry, but I get confused when I try to make out what this is about and I have no suggestions.

Christine Pollard

 

Georgianne Giese  
Leif Alveen

This is easily my favourite image of this month. Beautiful composition and lots to let your eyes explore. Presented to the right set of competition judges I think you are onto a winner here. The original is bewildering, but edited this way everything comes together nicely and makes a stunning picture. You should be proud of this.


Member Bio

My interest in photography started in Brownie Scouts back in the 50s! As a teenager, I spent my time sketching nature. As an adult, I only took family and snapshot photos. After 3 children and 9 grandchildren, my family pictures got old!

My husband, Fred, got me interested in the real stuff! I've spent the last eight years using Photoshop to play with my husband's pictures. Photography is his passion. Photoshop was mine.

As a computer scientist, I've pummeled my years at work, saturating my left brain, which is in dire need of defragmentation. I'm still pumping out computer code, of necessity. Can't wait to retire!

For relief, I've dabbled in writing and am a certified spiritual counselor and minister. The latter is relatively recent. It was through my counseling of many artists and writers that the message came through loud and clear that this world is a place for us to extend the love that we are creatively, as a form of intimate communication.

Recently, I've decided that my heart is crying out for a more tangible creative outlet, so I started looking seriously at the Canon Rebel, which I inherited from Fred when he got a better camera. One inspiration is the book "God Is At Eye Level", by Jan Phillips.

Software/Hardware: I now use PhotoMatrix Pro and Photoshop CS4 with the Topaz plug-in. We have a couple of Dell computers (XPS 420 and laptop). However, I've really been bummed by the extremely poor quality of the Dell monitor. It's not a graphics monitor, though it's billed as one. We've calibrated it, but that doesn't help. Have to port my pics over to an old Dell Dimension with an excellent ViewSonic graphics CRT, in order to adjust the color and brightness.

My desire is to capture photos that are fundamentally focused on something artistically appealing, and then to make use of that collection to create works of art. For me, I loose track of time all together when I am in the depths of this passion, and I love that!


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