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Study Group 32 |
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| Diana Magor | I have images of beautiful trees like this too and sometimes they work but they rarely get very far in competitions unless they have a super sky behind them. I think this sky is too weak unfortunately, so unless you can increase its contrast a lot and perhaps vignette it so the corners are much darker. it probably won't get anywhere, although I like this sort of image on my wall! |
| Jose Luis Urbaitel | The tree looks awesome and the conversion to mono, appropriate .In my opinion you need to adjust the levels a bit sliding the black from 0 to 50 or so where I found That it greatly improves contrast in general. Also I would like it if the tree had a little more "air", especially in the top and in the left side. |
| Chuck Milber |
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| Stephen Levitas | I like the tree but I don’t like the border—I can’t find a reason for it. I shoot hill-
top trees against the sky also. I prefer to pull back a little so the tree does not
quite fill so much of the frame. I think it gives more of a feel of the isolation of |
| Carol McCreary | I really like this photo... the darkness of the tree branches very intriguing. I would like to bring out a little more white in the sky ( just use levels and select the sky ). The inside border line helps the photo too. Excellence job. |
| Wes Odell | Yes, I’ve seen a lot of these magnificient oaks in the foothills of the Sierra Nevada. Composition is nice. Sharp. As you say, the clouds work well. Tonalities all good. Border is ok, but I think it would depend on how you plan and where to exhibit. Some of you have told me borders are not liked by judges. |
| Jennifer's Bio | |
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Hello! Although I’ve been taking photos for over 25 years, I am still fairly new to PSA, having joined in 2006. I took up digital photography about the same time I joined PSA, but I still occasionally shoot film, too. My favorite subjects are landscapes and travel, although as an attorney for a busy non-profit organization, finding the time to travel can be a challenge. Fortunately, I am blessed to have lots of amazing scenery only a short drive from home here in Central California. Monochrome is particularly close to my heart since my early photography experiences were with T-Max and Tri-X film in the darkroom. I’m eager to learn more about producing quality digital monochrome images. |
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