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Study Group 26 Bob Benson |
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| Bob Benson | |
| Paul Allen |
Reaction: This is a terrific fireworks photo, in my opinion. I appreciate how well contained the full “bursts” are within the frame, filling the black sky with color and light. Nice work to find a spot where you could catch some reflection, too, even if not what you were hoping for! It was an excellent choice to add the extra burst, and you did a great job doing it, too. |
| Youmans Hsiong | A nice firework shot. I like the gold and red as 49er’s colors. The bursts on top are large and very sharp in detail from center to the maximum, the red bursts with water reflections at lower make the whole frame look beautiful and well balanced. I see the lower part of image may look a bit dark for me. |
| Brian Duchin |
What an appropriate theme for January. You and Youmans' photos are great examples of how photographers interpret and visualize a photo. Yours is up close and personnel. You have a strong sense of the fireworks in your photo. The colors are graphic and vibrant. Vertical composition gives your photo a sense of strength and power of the explosions. |
| Belinda Keller | Distance became a good vantage point. It’s a lively, colorful composition, and your reflections are mirror-imaged. Unlikely that you would have captured all that had you been closer. I especially like the silhouetted trees against the smoky reds in the background. I would enjoy the shot without additions, but your big bursts gave it more impact and drama. I would never have guessed the bursts were added. I might show the slightest bit of a reflection from the large bursts in the water in the foreground. To me, doing so would show proximity to the other bursts, pulling them all together. I would test removing or dimming the bright spot of light through the tree on the right. |
| Jose Maria Cartas | You captured very well the essence of the fireworks. All five bursts (including the one you added) are needed for the composition. The trees provide an anchor point, and without the reflections on the lake the image would have been not so appealing. What I appreciate most is that the added burst looks so realistic. If you hadn't told us about the post-processing, I'd never have guessed that it was not there on the first place. I can even see an overlapping between the two top bursts, as it's to be expected. There is nothing to change in this picture. |
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Ed Gulesserian |
This is an intriguingly complex photo with a ton of great qualities and good processing, but the overall effect doesn’t quite come together for me. I think the upper half of the image is spectacularly good with the colorful starbursts and the very crisp outlines of the trails – and the additional burst in the upper left was a good idea. The lower half is interesting and probably difficult to execute that well, but has such a different character that the two halves seem somewhat artificially placed together. One of the issues for me is that the colors and tones in each half don’t appear anywhere in the other half. Maybe the photo shows the way it really was, but it intuitively feels a little artificial to me. Aside from that, it is a very busy image. This may be sacrilege for a photographer, but I would experiment with cropping out the reflected starbursts at the bottom of the image (keep the three vertical reflected trails but reduce their brightness at the bottom of the frame). |
| Member Bio | |
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Bob Benson - Biography
Bob Benson lives in Schaumburg, Illinois, where he active in the Chicago council (CACCA) as a current board member and former president. He co-founded the first all digital camera club in the area twelve years ago. He is also the chair of EID's Interclub Competition. |
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