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Study Group 21 |
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| Brian Swinyard | This is a fun picture Barrie that is most engaging. I like the way that the addition of the eye adds a human dynamic to the junk car which is reinforced by the rearranged title. |
| Brian Duchin | A good play on words, and the textures are well photographed. I expect there is a lot more detail in the original, but looking at this picture the eyelashes etc. do not stand out very well. |
| Joan Field | I enjoy this very much. Very creative Maybe crop in a little closer to the headlight/eye so it assumes more importance in the frame? Well done. |
| Rick Perkowski | Very clever. It is interesting that the eye is blood-shot; probably as a result of a hard life on the road. Perhaps the highlights could be toned down and fill flash applied to the shadows, but the image remai ns very clever. Well done. |
| Anne Swearman | A good play on words, and the textures are well photographed. I expect there is a lot more detail in the original, but looking at this picture the eyelashes etc. do not stand out very well. |
| Tim Koverman | The eye is appropriate - well placed ! |
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Barrie Bieler Bio Barrie joined PSA in 1955, when he was in grad school at Penn State. Later in 1955 he worked for the U. S Geological Survey near Denver, CO, and was swept up in the 1996 PSA Denver Convention Exhibition, where he handled the Nature Division slide & print part (400+ slide entries and 40+ (large) print entries. He was active in two camera clubs and the state Council for eight years at this location. He received his APSA about 1963. He moved to Michigan for two years and was active in the Midland Camera Club. He moved to northern California in 1965 and became active in two camera clubs and the local Council. From 1976-1982 he moved through the 'chairs' of the PSA Nature Division, serving as chairman from 1980-1982. In 1983 he received an FPSA, for both his Nature Div. work and continuing service to photography in camera clubs, councils, and numerous judging events from club to International exhibition levels. He became active in the 'electronic lightroom' about six years ago and now all of his prints for local club and council competitions are via a Mac G-4, Photoshop 7 software, and Epson hardware: ink-jet printer (Photo 1200) & flat-bed scanner (3200 photo). |
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