
August Image - "Window
Pane of Color"
How I Did It -
My original image
was taken along the “Pan Handle” of Florida, in a small town called
Rosemary, just east of Destin Beach Florida.
I took this picture
because I like the leading lines of the boardwalk up to the “Shower
House” and beachfront cottages.
I enhanced the
original image first with a Hue Saturation adjustment layer, flattened
the image and duplicated the new flattened background layer and added a
“BuZZ Filter” effect.
• I now added a
layer mask to the BuZZ filter layer and painted back the original detail
I wanted from the underlying layer.
• Next I flattened
the image again, duplicated the new “Background Layer” and applied the
“Ocean Ripple” filter from the Photoshop “Filter Gallery”.
• Settings:
Ripple Size: 14 and Ripple Magnitude: set at 10.
• With this
Ripple Effect layer still active, I created a layer mask and then
used a soft edged brush to paint back the detail I wanted from the under
lying layer.
• I wanted a
painterly effect showing globs of thick smeary paint on the edges and
parts of basic shapes and forms in the image.
• After creating the
look, I wanted I flattened the image again and duplicated the newly
created “Background Layer”
• I activated
(selected) the bottom background layer and converted it into a black and
white image using the “Channel Mixer”. I now had a Blk & White image on
the bottom layer and Color image on top.
• Using a “Selection
Tool” I created a distorted looking diamond shape selection and
“Inversed” my selection (main menu, SELECT – INVERSE).
• I “Deleted” the
image inside this selection, which revealed the underlying Blk & White
image. I now had a color image layered on top of a black and white
image.
• To really
dramatize this effect I needed to go a step further. I wanted this color
section to have depth and feel, of a three dimensional “Window Pane”.
• To accomplish this
I left my Triangle (diamond shape) selection still active and then
opened the “Layers Blending Mode” window.
• How, LAYERS –
LAYER STLYES – BLENDING OPTIONS
• This opens the
LAYERS STYLE window where you can add a line stroke to your selection
and add a layer shadow and beveled edge to a layer.
COMMENTS:
| Aavo Koort |
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| Carol Weaver |
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| Nancy Sams |
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| Nellie Bretherick |
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| Karen Mason |
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| Norman Piper |
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| Member Bio |
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Skip LaRue - Biography
I’ve been in the graphic art industry for 45 years,
specializing in print media and photography,
designing corporate logos, brochures, catalogs,
direct mail pieces, plus many other types of
commercial and industrial print collateral. I’ve
directed studio and on-site photography for
corporate materials and catalogs.
My first position was graphic designer for May Co.
Department Stores, laying out retail newspaper ads
for the Men’s apparel and Home Furnishing
Divisions. From there I moved to Maritz Inc., a
motivational incentive business as art director
designing their award catalogs. Twelve years later,
I joined Hazel, Inc., a large manufacturer of
leather and vinyl products and ad specialty office
products as their art director.
In 1984 I started my own traditional graphic arts
business, and in 1990, driven by the industry,
converted over to computer graphics and by 2001
thoroughly embraced the now prominent digital
photography technology.
Today, I am semi-retired from the graphics business,
servicing select clients. I spend most of my free
time pursuing my lifelong passion for fine art
photography, focusing my attention on creative
concepts in photo composite illustrations. I work
with Apple computers, Epson printers and Canon
camera equipment. Software applications that I use
on a regular basis are Adobe Photoshop CS2, Adobe
Illustrator, Adobe InDesign, QuarkXpress,
Macromedia, Painter IX, Keynotes, QuickTime, plus a
few other smaller applications.
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