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Week 1
Self-Portrait
January,
2012
This is a brand new year
and I'd like to take a moment and thank everyone for helping me keep this
group up and running. And, thanks for all your insightful comments and
great images!
Long story short, I
trashed my old camera equipment just over a year ago. I found myself
limited by what the system offered me as I wanted to be able to shoot a
wide range of subjects. As a photographer, I like to call myself a
generalist, meaning I'll shoot just about anything that interests me. I've
yet to find my niche in photography and am always looking for the next
"lesson" to learn.
In the past, I've been
intimidated by flash photography. So, this year, I have plans to shoot a
self-portrait a week, using multiple off-camera flashes whenever
possible.
This month's image is an
example of that project. I figured I'd start off with something a bit
difficult, but not so difficult I wouldn't be able to complete the
task.
This image was shot using
two remotely triggered off-camera flashes. The flash coming from my
back was used to give my body/head a bit of definition. I used -3 stops
ETTL compensation on the flash to avoid blowing everything
out.
The flash off to the
camera's side used a homemade snoot. (A snoot is used to channel the light
in a concentrated beam to light only a certain portion of your image.) The
snoot was used to light the magazine and my face, with the intention of
rendering the background as dark as possible.
In order to get the
results I wanted, I "told" the flash units to figure out the correct
exposure I needed while I set the camera to manual mode and underexposed
the scene. So, the light from the flashes is all we want to see
here.
I've still got a lot to
learn. Any advice/constructive criticism would definitely be
appreciated.
COMMENTS:
| Joe
Kennedy |
Good
luck on your weekly challenge! I am very interested in how
the project evolves. Please send me your weekly attempts.
As
for your initial entry into the weekly challenge, I would like
to
see more light on the magazine cover. There is ample light on
your
face so I would to see a more natural setting with
equal
lighting
on the rest of the
subject. |
| Barun
Sinha |
The
technique looks too complicated to follow but the result is
excellent. Specially when you realize it is a self portrait. If I
ever do it I will first take the help of a model and then pose
myself. |
| Vacant |
|
| Terry
Kness |
I
think it’s great to step out in something new. Nice rim lighting and
use of the snoot. Using artificial light is a new interest to me as
well. I look forward to seeing more of your
ideas. |
| Meg
Puente |
This is absolutely great! I'm awed by your skill
putting this together. First the concept, then placing yourself and
all of the flashes correctly, interpreting multiple readings, then
applying them, etc. This is waaay beyond anything I could
do...excellent...I love the final piece of work and its spectacular
lighting effects! No constructive criticisms or suggestions for this
party! |
| Debbie
Garland |
Love
it. The light is great. this is the best one
yet. I am a little bothered by the bend in the left
wrist. Otherwise it’s a great
shot. |
| Member Bio |
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Warren Wilson -
Biography
Photography has
been a lifelong fascination for Warren. His career
began out of high school when he went to work in his father’s
black-and-white lab. There, he learned the craft of printing
negatives which would serve him well in becoming a photographer for
the Marine Corps. Upon enlistment, he was trained as a motion
picture and still photographer and was immediately sent overseas to
Vietnam.
After his
Honorable Discharge, he was offered a job at a well-known magazine
in Washington,
DC. He would work
in their black-and-white, color, and duplicating labs over the next
two decades. As the demand for traditional lab work was giving way
for digital, he garnered a spot in the newly-formed digital imaging
lab until his retirement in late-2004.
Again picking up the art of photography, he bought a digital
camera, joined a camera club and began taking pictures. In his
images, he strives to put his own twist into the subject. Sometimes
this is accomplished; sometimes it’s not.
View more of
Warren’s images on
Flickr: http://www.flickr.com/photos/warrenwilson/
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