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Study Group 14 |
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| Karen Leonard | The results appear natural, and as a
tourist would wish to see it. |
| Dean Hellinger | Beautiful scene, perfectly presented,
details and colors at their best. A great example of how to capture
all there is in a scene. |
| Eleanor Helper |
Beautiful rendition. If your goal was to return the image to what you
remember, I like the result. This often is my goal also. However I m
not sure I understand the difference between your observation and a
straight photoreproduction. I also have difficulty following your
explanation of how you used Matrix 4, but I like the results. |
| Burt Hesselson |
A beautiful view
taken at the best speed and camera setting to get everything in focus and
the slow water. Well done. My only criticism is it looked too wide and
when I checked image size it 4.333 x 6. I changed it to 4 x 6, a very
subtle change, but a definite improvement. |
| Tim Christoffersen |
Really pleasant, peaceful image. The colors are good and I like the
dappled light. The light adds to the image but is not so strong that
it casts strong shadows. (Maybe this is HDR?) The only comment I would
add is the boulder at the bottom of the image is quite large and tends
to block my eye from moving upward into the image. |
| Larry Beller |
This
is a beautiful scene, and your use of HDR technique is just right for
it, without a trace of HDR grunge, though I would have like a little
more contrast in tones between light and shadows. i think you have too
much in it; the foreground and background compete for attention. Let
me suggest a simplification
that I think improves it. Use the sunlight on
and around the backlit tree as a center of interest, crop the foreground
that divides the interest (and seems out of focus,) and do shading
that emphasizes the COI, something like this t humbnail. I'll leave it
to Burt to tell you to flip it. This second thumbnail shows what I did
to it. Anyway, very well done.
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| Donn Miertl replies: | |
| Member Bio | |
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Donn Miertl -
Photographic Biography
I have been
involved with photography since 1948. I began with
an Army Signal Corps field photographer kit and an
adjustable 35 mm camera. |
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