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Brian E Swinyard BA(Hons) MA ARPS EFIAP
DPAGB PSA1* BPE2*
An 'Aspirational' Photographer with
special interest in Creative, Travel and Portrait photography.
Born in 1943 in Bristol, England, Brian
developed his first B&W photograph at the age of 13, although he did not
begin a serious interest in photography until 1984. Since then, he has
been an active member of various Camera Clubs in UK (currently member of
Cheltenham and Gloucester Camera Clubs) and overseas (founder member of
Ayios Nikolaos Photographic Society, Cyprus). |
| Regarded in the
UK Camera Club Circuit, not only as a prolific image-maker but also as
an inspiration to others. His photography, which nowadays is almost
exclusively digitally-based, is varied, shows a great deal of technical
expertise, originality and enviable imagination. Many of his images have
been accepted (some medal winners) in National and International
Exhibitions and Salons in Europe, Middle East, Far East and American
continents. His work has been published in In-House and Photography
Magazines and some of his images can be viewed on the member's gallery
at the Royal Photographic Society website.
Recently made the transition to digital
with the purchase of a Canon EOS 20D, assorted lenses and accessories.
Prior to this, whenever abroad on business or pleasure, his trusted
Minolta SLR Dynax 7xi and 7000i cameras were his constant companions.
His preference, with his wife Angela, is for the long-haul,
off-the-beaten track, back-packing type of destinations. Recent
expeditions have included Tasmania, Bolivia, Peru, Cambodia and Vietnam.
Currently working towards the Fellowship
of the Royal Photographic Society (FRPS), Excellence of the
International Federation of Photographic Art/Bronze (EFIAP/b), Master of
the Photographic Alliance of Great Britain (MPAGB), Photographic Society
of America (PSA) Two Star Award and British Photographic Exhibition (BPE)
Three Crown Award.
Graduated BA(Hons) in Psychology with The
Open University, MA in Photography with De Montfort University,
Leicester. The latter included critical surveys and analysis of: Moment
Of Death photographs in war photography, Urban Landscapes viewed as
monochrome negatives and Personal Identity: Transition from Camera Club
to Fine Art Photographer.
Joined the Photographic Society of
America in May 2004.
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