Study Group 5
David F Cooke ARPS











 
Barbara Miller
David Cooke
Mike Lillis
T W Woodruff
John Yurchak
Nick Muskovac
Nancy Conley
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January

Title -"The Man on the Bus"

How I did itThis image was taken from the passenger seat of our car in India. On looking at the image I had taken, I was fascinated by the man’s eye and the way he was looking so I decided to build the final image around that. The original (see thumbnail) was very cluttered and had clashing colours.
 
After cropping the section I wanted to use to a square format, I used  ‘Transform’ to straighten everything up. I then used Nik ‘pro-contrast’ and ‘Viveza’ to adjust the light in the image, and converted the background to monochrome. I then brought the colour back slightly by reducing the opacity of the monochrome layer.
 
NIK ‘Polaroid Transfer’ filter was then used followed by reducing the saturation before applying the ‘midnight’ filter. A layer mask was used to bring back parts of the image, particularly the man’s face.
 
The rest of the manipulation consisted of various layers to adjust the lighting to darken down parts of the image which were still distracting attention from the man’s face and eye. Finally ‘high-pass’ filter was use to sharpen just the man’s eye.

 

 



 


 


COMMENTS:
 

Barbara Miller Although I am usually quite taken with your imaginative submissions this one doesn't quite hit it off with me.  I applaud the work you did to achieve the end result but without seeing the original image I would not have appreciated it as much.  Sorry I have to pass on this one David.
Mike Lillis

Very interesting approach to the image.  I thing the image could be improved by just cropping the image to zero in on the subject.  See the cropped that I made to your image, It still keeps the concept you created.




T W Woodruff


 





John Yurchak By isolating the man's face and eye you have added some mystery to the photo. I do not think the extra window frame in front helps the photo. Could you have have moved the whole phototo the right and then added the window frame on the backside. Your manipulations on the whole photo are very good.

Nick Muskovac

Good idea;  A good job of using the layer mask technique;  I would have cropped it tight around the window to get rid of the extra material on top.
 








Nancy Conley

I’m not too crazy about this one—too much distraction in the background.  It might just be too artsy for me to appreciate it.   I do like it better than the original.








 


 

Member Bio
David F Cooke ARPS, AFIAP- Biography

David lives in Bristol in the South West of England and, like many photographers, he has been interested in photography since he was at school. His father was a keen photographer and so he had access to a small darkroom at home. He was very active at school as a photographer, taking most of the images for the school magazine and later, at Leeds University, he worked on the weekly student newspaper, firstly as Pictures Editor and later as Features Editor and then Assistant Editor.

After graduating and subsequently getting his PhD in combustion engineering, he worked in industry and local government before joining the UK Open University. During this time, photography took a back seat until he was given a Nikon D70 for his birthday in 2006 – and the love of making images was rekindled.

He joined the Royal Photographic Society (RPS) in the same year and was awarded the distinction of Licentiate of the Society on 28th February 2008. On 16th June 2009, he was awarded the further RPS distinction of Associate of the Society in Visual Art. In March 2011 he was awarded an AFIAP (Artiste International Federation of Photographic Art).

He retired from full time employment with the Open University in 2010 and is now free to concentrate more on his photography.

He uses a Nikon D700, mostly with either a Nikon 28 – 300 mm lens or a Sigma 12 – 24 mm lens. His photographic interests are wide-ranging but his main interest is in photographing people in their environment.

David is Chair of the RPS Digital Imaging Group and Editor of their quarterly magazine, DIGIT, as well as the RPS Visual Art Group magazine ‘Visual Art’.


 


 


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